The Flame Alphabet by Ben Marcus: No venom seems more befitting an author than words, words, words. In Ben Marcus’s Flame Alphabet, language is the poison that youth inflict on adult ears. Utterances ushered from children’s mouths have toxic effects on adults, while the underage remain immune to the assault. The effects are so harmful that The Flame Alphabet’s narrator, Sam, and his wife must separate themselves from their daughter to preserve their health. Sam sets off to the lab to examine language and its properties in an attempt to discover an antidote and reunite his family. Marcus’s uncharacteristically conventional narrative makes way for him to explore the uncanny eccentricities of language and life.
The Map and the Territory by Michel Houellebecq: Michel Houellebecq, the dyspeptic bad boy of French letters, has been accused of every imaginable sin against political correctness. His new novel, The Map and the Territory, is a send-up of the art world that tones down the sex and booze and violence but compensates by introducing a “sickly old tortoise” named Michel Houellebecq who gets gruesomely murdered. The book has drawn charges of plagiarism because passages were lifted virtually verbatim from Wikipedia. “If people really think that (is plagiarism),” Houellebecq sniffed, “then they haven’t the first notion what literature is.” Apparently, he does. The Map and the Territory was awarded the Prix Goncourt, France’s most prestigious literary prize.
Zona: A Book About a Film About a Journey to a Room by Geoff Dyer: Geoff Dyer shows no signs of slowing down after seeing two stunning books of essays published in the U.S. in 2011, Otherwise Known As the Human Condition and The Missing of the Somme. This English writer, blessed with limitless range and a ravishing ability to bend and blend genres, is coming out with a peculiar little book about a 30-year obsession. It’s a close analysis of the Russian director Andre Tarkovsky’s 1979 movie Stalker, and Dyer calls it “an account of watchings, rememberings, misrememberings and forgettings; it is not the record of a dissection.” Even so, Dyer brings some sharp instruments to the job, and the result is an entertaining and enlightening joy.
When I Was a Child I Read Books by Marilynne Robinson: The exalted author of Gilead and Home claims that the hardest work of her life has been convincing New Englanders that growing up in Idaho was not “intellectually crippling.” There, during her childhood, she read about Cromwell, Constantinople, and Carthage, and her new collection of essays celebrates the enduring value of reading, as well as the role of faith in modern life, the problem with pragmatism, and her confident, now familiar, view of human nature.
Suddenly, A Knock on the Door by Etgar Keret: Etgar Keret’s choice of position while writing–facing a bathroom, his back to a window–reveals much about his fiction. He stories are absurd, funny, and unearth the unexpected in seemingly everyday situations. Many stories from his forthcoming collection are set on planes, “a reality show that nobody bothers to shoot,” and deal in wishes and desires. In “Guava,” a plane crashes, a passenger is granted a last wish and is then reincarnated as a guava. Another story involves a wish-granting goldfish, an aspiring documentary filmmaker, and a Russian expatriate who seeks to avoid having strangers knock on his door. Keret’s stories are brief inundations of imagination, an experience that holds true for Keret as much as it does for his reader. Keret says he becomes so immersed while writing that he’s unaware of his surroundings, regardless of his view.
The New Republic by Lionel Shriver: After a run of bestsellers, including the Columbine-inspired We Need to Talk About Kevin, which was recently made into a movie with Tilda Swinton and John C. Reilly, Shriver is digging into her bottom drawer to publish an old novel rejected by publishers when she wrote it in 1998. The New Republic, written when Shriver still lived in strife-torn Northern Ireland, is set on a non-existent peninsula of Portugal and focuses on terrorism and cults of personality.
Hot Pink by Adam Levin: Adam Levin works on his short game with this follow-up to his 1,030-page debut novel The Instructions. Hot Pink is a collection of short stories, many of which have appeared in McSweeney’s Quarterly and Tin House. From his own descriptions of the stories, Levin seems to be mining the same non-realist seam he excavated with his debut. There are stories about legless lesbians in love, puking dolls, violent mime artists, and comedians suffering from dementia. Fans of The Instructions’ wilder flights of invention (and devotees of the legless lesbian romance genre) will find much to anticipate here.
Farther Away: Essays by Jonathan Franzen: From Franzen, a collection of essays and speeches written primarily in the last five years. The title essay generated considerable attention when it appeared in The New Yorker in April. In it, Franzen told of his escape to a remote, uninhabited island in the South Pacific following the suicide of his friend David Foster Wallace. Two pieces in the collection—“On Autobiographic Fiction” and “Comma-Then”—have never been published before. Others focus on environmental devastation in China, bird poachers in Cyprus, and the way technology has changed the way people express intimate feelings to each other.
The Secret of Evil by Roberto Bolaño: Published in 2007 as El Secreto del Mal, The Secret of Evil is a collection of short stories and essays culled posthumously from Roberto Bolaño’s archives. Due this April, the collection joins the steady torrent of Bolaño material that has been translated and published since his death. The stories revisit characters from The Savage Detectives and Nazi Literature in the Americas, and feature other members of Bolaño’s now familiar cast. Some have argued that the embarrassment of posthumous Bolaño riches has occasionally bordered on, well, the embarrassing, but Bolaño’s English-language readers hope for the best.
As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980 by Susan Sontag: Susan Sontag said that her books “are not a means of discovering who I am … I’ve never fancied the ideology of writing as therapy or self-expression.” Despite her dismissal of the personal in her own writing, Sontag’s life has become a subject of cultural obsession. The first volume of her journals captivated readers with tales of youthful cultivation, spiced with reading lists, trysts, and European adventures. In the interim since, we’ve fed on reflections like Sigrid Nunez’s Sempre Susan and Phillip Lopate’s Notes on Sontag. As Consciousness Is Harnessed to Flesh, Sontag’s second volume of journals, picks up in 1964, the year of “Notes on Camp” (which also marked her debut in the Partisan Review) and follows as she establishes herself as an intellect to reckon with.
Home by Toni Morrison: Morrison’s latest is about a Korean War veteran named Frank Money who returns from war to confront racism in America, a family emergency (Money’s sister, in crisis, needs to be rescued and returned to their hometown in Georgia), and the after effects of his time on the front lines. Morrison, 80, has been reading excerpts from the novel at events since early 2011. At an event in Newark in April, she read a few pages and remarked, “Some of it is soooo good — and some of it needs editing.”
The Newlyweds by Nell Freudenberger: Freudenberger is famous for taking a knockout author photo and for catching all the breaks (remember the term “Schadenfreudenberger”?), but she has turned out to be an interesting writer. The Newlyweds, which was excerpted in The New Yorker’s 20 Under 40 series, is loosely based on the story of a Bangladeshi woman whom Freudenberger met on a plane. The woman, a middle-class Muslim, married an American man she’d met through the Internet, and the novel follows their early years of marriage in fictional form, marking Freudenberger step away from stories about young women and girls and toward those about grown women living with the choices they’ve made.
Mother and Child by Carole Maso: Carole Maso houses beautiful American sentences in unusual, experimental structures – her masterwork, AVA, is an underground staple. The forthcoming Mother & Child is apparently a collection of linked short-shorts, whose two protagonists are, one has to figure, mother and child.
The Book of My Life by Aleksandar Hemon: The brilliant Aleksandar Hemon (MacArthur Genius, PEN/Sebald winner) is reported to be working on his fifth book and first collection of non-fiction pieces. The title, The Book of My Life, alludes to, and will presumably include, his 2000 New Yorker essay of the same name–a short, powerful description of his mentoring literature professor turned war criminal, Nikola Koljevic. This will be Hemon’s first book since the familial tragedy documented in his heartrending 2011 essay “The Aquarium,” also for The New Yorker.
Laura Lamont’s Life in Pictures by Emma Straub: If you spent any time on the literary part of the internet in the past year, the name Emma Straub will ring out to you. She’s a regular contributor to Rookie Mag, among other places, and Flavorwire called her “The Nicest Person on Twitter” (Sorry, Bieber). Her debut novel is about a Midwestern girl who moves to Los Angeles and, at great cost, becomes a movie star in 1940s Hollywood. Straub’s story collection Other People We Married, originally published in 2011 by 5 Chapters Press, will also be rereleased by Riverhead Books early in 2012.
(Original blurbs c/o themillions.com)