I felt compelled to write a review of the 3 novellas that make up most of the Viriconium omnibus (the last quarter of the book is comprised of collected short stories centered on the city of Viriconium). I posted it over on Goodreads!!
(The cover to the right is the one I wish Bantam used for the American release.)
In these stories–like the ailing artist, Audsley King, in Viriconium‘s third novella–Harrison is painting with words, beautiful water colors and rich oils. For a world as bleak and unforgiving as the one that converges upon Viriconium (a city like no other. a story without end…), the lyrical descriptions are truly beautiful and masterfully crafted. I’m beyond question at a loss for how impressed I am with this book so far!. . .
His words are so many things simultaneously: sad, hypnotic, haunting, hilarious, sage, prescient. He’s clearly a master of his craft and he keeps his blade (his pen), honed and sharp. Viriconium has been labeled science-fiction, fantasy, even steampunk; but I’d argue at best it’s all of them, but more accurately, it’s its own, singular work. It demands and dares readers to pick it up, challenges them to find the nuances woven within its tapestry. . . .
Needless to say, I really liked this book!