Tag Archives: AWP

Tick-tock… New things are coming up…

AWP 2013 starts this week, so expect some news/updates from Boston.

Oddly enough, as far as panels etc. go, the event I’m looking forward to most is a reading by the venerable Samuel R. Delaney.

I could try to explain why, but I think Tammy Sayler does a really good job on her blog: “Literary fiction or science fiction? Top 5 Inspirations For Why I Write Science Fiction

Lots of other new writing/literary things are on the horizon as well, my friends. Lots.

For now, enjoy The Clock of the Long Now.

Stay tuned!

Long Now Clock

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There Be Dragons! | 03.14.12

I’ve been busy!

Although AWP ’12 is now done and over with, I have more to do than ever, which is a good thing. “It’s better to be busy than bored,” etc. etc.

Work on my novel has picked back up. I’d taken a small hiatus away from it while prepping materials for AWP and finishing a couple freelance editing gigs. The ultimate success of the latter two items was really hit or miss. It might be March, but a resolution I’m setting for myself is to be more clear with my communications with others. In trying to please everyone with too much flexibility, something invariably gets lost in translation. I wrote that down so I’d remember it.

I’ve been reading some great books lately. Two of the best have been Adam Levin’s Hot Pink (my review of Levin’s book goes live on [PANK] March 20th) and Leigh Stein’s The Fallback Plan. It would certainly behoove you to read these two books at your nearest convenience. Or cancel other plans to read them. You’ll thank me later.

Tumblr is fun!

If you haven’t checked out Mike Meginnis’s simulated text adventure series EXITS ARE over at Artifice Books, you should do so ASAP! And don’t forget to congratulate Mike for having a story accepted for next year’s Best American Short Stories (BASS) anthology while your at it!!

Speaking of next year’s BASS anthology, I’d also like to congratulate Roxane Gay (who I’ve — not even secretly — got a huge literary crush on) for having a story accepted as well — this is truly BIG news for the small indie presses!!

And speaking of Roxane, it’s no secret she’s really into The Hunger Games (scroll down). “Really into” is perhaps a complete understatement. Because of Roxane’s wholly infectious enthusiasm, I was this < > close to starting the postapocalyptic trilogy myself. I’d even bought all three books and everything. That’s something i do with books, by the way — if it’s a series, I’ll buy all of them at once to A) have them all because I might possibly be a hoarder-in-the-making, and because B) I like to be prepared for the off-chance a stranger approaches me on the street and gives me a drug that turn me into a super-genius (like what happened to Bradley Cooper in Limitless), in which case I could read all of them back-to-back in a sitting or two.

But something happened…

Continue reading

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OK, The Recap [part 1 of 2] of the rest of the AWP Conference (finally!)

I figure I can only entertain my 6 or 7 readers (which are most likely comprised of family members and possibly 2 friends) with excerpts of my novel for so long before they want actual writerly info–which is what I assume a lot of web-surfing writerly types search other writer’s sites/blogs for anyway.

So, OK–here goes: I wish that I could regurgitate more information from the David Shields et al panel on Blurring the Lines Between Fiction/ Nonfiction/Memoir/Etc., but the fact it, it was absolutely freezing in the auditorium and I was severely underdressed.  One interesting quote Shields had where James Frey was concerned was: “Frey should be a better liar.”  Essentially, Shields is in favor of not just blurring the lines and boundaries between the genres of wrting, but completely obliterating them.  See herehere and here.

The next panel was called From MFA Thesis to First Novel, which I thought was pretty good. Number one: Be a writer [even if it takes 4 – 5 years (or more)].  How long it takes [to “make it”] will always vary. Write the book you want to write and don’t worry about what other people are doing.  These are ostensibly direct quotes.  Another great tip was stop rewriting the same scenes and write the book to the end; finish it!  Don’t get daunted by “experts” and forays into fact-checking—Learn, revise, move on. Disheartening things happen.  Be prepared to revise, revise, let it go and revise it again.

Keep in mind that query letters are your first introduction to agents and editors–make it pop! Let your voice really come through. Calm down and enjoy being a writer.  The business is slow; it’ll wait for you.  “Making it” (whatever “it” is) will not happen when you want it to OR how you expect it to.  Oh, and these are good tips too: A) Meet an agent before you sign B) Novels are easier to sell, C) Research agents a lot!

If you are in an MFA program, take full advantage!  Cross-pollinate genres; don’t pigeonhole yourself.  Apply for contests, grants, awards, scholarships, fellowships—everything out to which you can get your name.  Finish your novel first; don’t send it to publishers before it’s ready.  And it’s a good idea to have an expiration date on your query letters; don’t let them have it forever.

The final panel for this update was Insider Strategies for Getting Your Book Published.  Agent, Jeff Herman, began the panel by reminding everyone that, “Just because your writing is good doesn’t mean that it’s going to get published,” which I think is really sage advice for the unpublished writer.  “No one is entitled to be published—regardless of talent.”

So, then: how do you do it?  Just because your dog likes your book isn’t good enough.  Sometimes, deals do get made by someone discovering (read: stumbling upon) your manuscript in the publisher’s gigantic slush pile (which, if you are unpublished, without an agent, your manuscript will wind up)—which is more like a slush warehouse or largishly-sized room—but it’s extraordinarily rare.  There are, unfortunately, invisible walls within the publishing world.

Determination can help you overcome these walls, however.  Walls are made by humans—keep hustling!  You have to help create the demand for your book; don’t let yourself get weeded out.  Make connections. Get an agent.  The rest, I’ve already pretty much written about.  Keep in mind that agents get you access to the right people.  Just don’t be arrogant about the marketing.  Be discerning and pitch multiple agents simultaneously.  “Don’t tell [agents] what you don’t have; tell [them] what you do have.”

The rest of the conference panel recaps I’ll post tomorrow—I promisefor realz this time.  Later!

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